This broad claim forms the motivating insight behind this volume of essays devoted to “critical terms” for the study of media. Like the strata of the seeable and sayable that, in French philosopher Michel Foucault’s archaeology of knowledge, make knowledge possible in a given historical moment, media broker the giving of space and time within which concrete experience becomes possible. Packed into Kittler’s statement is a crucial claim: that media form the infrastructural basis, the quasi-transcendental condition, for experience and understanding. Media determine our situation.” With these lines, German media scientist Friedrich Kittler begins his influential historical theorization of media, Gramophone, Film, Typewriter. Galloway 280 Systems * David Wellbery 297 Writing * Lydia H.
#MEDIACENTRAL JAY SCHLOSSBERG SOFTWARE#
Hansen 172 Hardware / Software / Wetware * Geoffrey Winthrop-Young 186 Technology * John Johnston 199 society Exchange * David Graeber 217 Language * Cary Wolfe 233 Law * Peter Goodrich 249 Mass Media * John Durham Peters 266 Networks * Alexander R. Katherine Hayles 145 Information * Bruce Clarke 157 New Media * Mark B. Hansen 101 technology Biomedia * Eugene Thacker 117 Communication * Bruce Clarke 131 Cybernetics * N.
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Hansen 64 Senses * Caroline Jones 88 Time and Space * W. Mitchell 35 Materiality * Bill Brown 49 Memory * Bernard Stiegler, with an introduction by Mark B. Hansen vii aesthetics Art * Johanna Drucker 3 Body * Bernadette Wegenstein 19 Image * W. (Mark Boris Nicola), 1965– pn56.t37c75 2010 302.23-dc22 2009030841 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ansi z39.48-1992.Ĭontents Introduction * W. Isbn-13: 978-4-7 (cloth) isbn-10: 4-2 (cloth) isbn-13: 978-5-4 (paper) isbn-10: 5-0 (paper) Library of Congress Cataloging-in-Publication Data Critical terms for media studies / edited by W. Published 2010 Printed in the United States of America 18 17 16 15 14 13 12 11 10 The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. These essays, commissioned expressly for this volume, are organized into three interrelated groups: “Aesthetics” engages with terms that describe sensory experiences and judgments, “Technology” offers entry into a broad array of technological concepts, and “Society” opens up language describing the systems that allow a medium to function.Ī compelling reference work for the twenty-first century and the media that form our experience within it, Critical Terms for Media Studies will engage and deepen any reader’s knowledge of one of our most important new fields.ĬRITICAL TERMS FOR MEDIA STUDIES Edited by w. Hansen, the volume features works by a team of distinguished contributors. Edited by two outstanding scholars in the field, W. Part of a larger conversation that engages culture, technology, and politics, this exciting collection of essays explores our most critical language for dealing with the qualities and modes of contemporary media. Critical Terms for Media Studies defines, and at times, redefines, what this new and hybrid area aims to do, illuminating the key concepts behind its liveliest debates and most dynamic topics.
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Communications, philosophy, film and video, digital culture: media studies straddles an astounding array of fields and disciplines and produces a vocabulary that is in equal parts rigorous and intuitive.